
Showing posts with label Woody Allen. Show all posts
Showing posts with label Woody Allen. Show all posts
31 January 2011
A Midsummer Night's Sex Comedy

11 April 2010
Alice (1990)

01 April 2007
Radio Days
26 November 2006
Match Point
You guys remember how Ewen Bremner absolutely killed it in julien donkey-boy? That one scene where he's on the phone with Chloe Sevigny and they pretend he's talking to his deceased mother...wow. Dogme95's finest moment. So many great performances in that film and so full of choice reviewer fodder, but we could never understand why none of those guys ever talked about that scene where Julien dons Nazi garb and talks about Hitler. They went on and on about Korine's exploitation/empowerment of the differently-abled and went overboard trying to form a schizophrenic narrative out of it all, but we can't remember any real mention of that basement scene. Weird.

Oh, Match Point. Yeah. The best SERIOUS one since Interiors. Actually we'll amend that to say, "The best SERIOUS one since ever." And that capitalization ain't no joke. Unlike some other heartbreaking Allen dramas there's no comic relief anywhere. No nebbishes. No Dixieland score. No foibles, no "bends/breaks" supporting characters, and no suede elbow-patched psychoanalytic banter. The Woods turned out quite the well-crafted flick, one that's cold and reserved and yet completely understandable, a feat we found all the more remarkable considering the sheer assholery of the main character. Don't cheat on someone, especially if that someone is your wife who loves you. Even with Scarlett Johansson.
Hey, speaking of assholes, here's another thing we don't understand. How is it possible that we like Harry Block but can't stand Alvy Singer? Everyone says, "I love Annie Hall," but when we gave it a second, third, and even a fourth chance it always failed to charm us. Our rational mind says Singer's only a kinda-jerk and Block's the hostile sonofabitch, but damnit if our irrational mind feels for the latter way more than the former. Strange, huh?
We also can't figure out why we never ever made it to the Cineplex to see Match Point. It played there for, like, six months and we saw Melinda and Melinda opening week!

Oh, Match Point. Yeah. The best SERIOUS one since Interiors. Actually we'll amend that to say, "The best SERIOUS one since ever." And that capitalization ain't no joke. Unlike some other heartbreaking Allen dramas there's no comic relief anywhere. No nebbishes. No Dixieland score. No foibles, no "bends/breaks" supporting characters, and no suede elbow-patched psychoanalytic banter. The Woods turned out quite the well-crafted flick, one that's cold and reserved and yet completely understandable, a feat we found all the more remarkable considering the sheer assholery of the main character. Don't cheat on someone, especially if that someone is your wife who loves you. Even with Scarlett Johansson.
Hey, speaking of assholes, here's another thing we don't understand. How is it possible that we like Harry Block but can't stand Alvy Singer? Everyone says, "I love Annie Hall," but when we gave it a second, third, and even a fourth chance it always failed to charm us. Our rational mind says Singer's only a kinda-jerk and Block's the hostile sonofabitch, but damnit if our irrational mind feels for the latter way more than the former. Strange, huh?
We also can't figure out why we never ever made it to the Cineplex to see Match Point. It played there for, like, six months and we saw Melinda and Melinda opening week!
01 October 2006
Another Woman
27 September 2006
September

They told me this was a "Chekhovian drama," but I didn't see nuclear wessels anywhere.
I did see a lot of Woody Allen mid-80s Interiors tropes and eighty minutes of unrequited, idealized love, longing, and sadness. Essentially a filmic play, September only hit me during its first half and let me down big-time on the back nine. Lots of commendable performances from Sam Waterston, Dianne Weist (not annoying), and Mia Farrow (wow, even she's not annoy...well, no wait, yeah she still is...), but a story that plods along a little too much without really turning into anything.
Still some great camerawork from Allan Konigsberg's main lensman and great performances from an old couple who starred with Norm MacDonald in two different movies! Don't believe me? Look! Now look here!
10 July 2006
Broadway Danny Rose

That Woody Allen, he knows how to get the Highland Cinema a-laughin'. And now that we're getting older we've found out he also knows a thing or two about getting the Highland Cinema a-creeped out. I know, I know, she wasn't technically his daughter, but ain't no right about that, no way, no how.
This Broadway Danny Rose? "A-O-decent!" if I can steal a witticism from our imagined good friend. Lots of exaggerated schlemiel-in' and neat photography, but not a whole lot else that got me going. That parrot wearing a bonnet, though, that had me dying.
Subscribe to:
Posts (Atom)