We fucking dig David Cronenberg around here. And what's not to like? You can't tell me you're not dying to see Debbie Harry's nipples, James Woods make out with a tv screen, or a ridiculously cool stomach vagina that'll gape for Betamax cartridges and make a guy's hand explode.
We're calling Videodrome Big Dave's signature release 'cause even if it ain't his most effective or his best, it's a perfect meld of his '70s-era horror glop and current-era identity politics: technology/representations of reality dictate YOU and your perception of actual reality.
And then some dude's innards make a gurgling, bubbling, chunky mess on the floor.
Keep in mind the "New Flesh" reiterations and "neural floodgates" dialogue are almost too clumsy to be forgiven and the heavy-handedness of the Cathode Ray Mission is too much like Rocky IV-esque binary moralizing. Fortunately the rest of the thing is a well-realized Our Media, Ourselves treatise that combines all the essential elements of the Cronenberg Secrets of the Ooze trifecta: icy cold machinery, engorged sex organs, and ever-changing existence. The makings of a typically fantastic Crones experience!
We're unconditionally telling you to see this 'cause even though it's a kick-ass picture, it's more importantly a kick-ass example of the Highland Cinema as Joe Bob Briggs, PhD. Just as Night of the Living Dead's graphic zombifications recreated the horror industry, "Videodrome"'s sexual snuff clips recreate Max Renn.
Check out this Commodore 64 trailer which is nothing like the movie.