the highland cinema

The Larry Sanders Show

noreply@blogger.com (devon) — Thu, 12 Apr 2012 04:09:00 +0000

The question we have to ask ourselves is: Would you rather be an Artie or would you rather have an Artie?

I Saw the Devil

noreply@blogger.com (devon) — Mon, 23 Jan 2012 14:46:00 +0000

The lighting was real good.

Dr. Bronner's Magic Soapbox

noreply@blogger.com (devon) — Sun, 30 Oct 2011 23:50:00 +0000

What a bunch of weirdos.

Bukowski -- Born Into This

noreply@blogger.com (devon) — Fri, 14 Oct 2011 14:01:00 +0000

I don't like to say that my father drank himself to death because I feel like that implies agency, like Dad set out and to kill himself with booze rather than what actually happened, which is that he plain gave up and drank Miller High Life until his body did the same.

And that last part, it's probably the biggest reason I'm here on the Highland Cinema today. It's why I was so excited to see the Mentors a few years ago, why I search "most disturbing films" in Google whenever I reactivate my Netflix account, why I can never muster up the nerve to call a girl. All because of my dad. It's why I watched No Direction Home or bought Cat Stevens' Catch Bull at Four or why I tried to read a book on Richard Nixon. For years without me knowing it, Dad was the reason I couldn't help but put up defense mechanisms and deflate your enthusiasm with cynicism. He's why I felt it necessary to convince myself that the reason I bought used copies of Ham on Rye, Post Office, and Women wasn't because I couldn't pull myself away from sad, middle-aged alcoholics, but because I thought that Jon Daly and his Bill Cosby Bukowski character were just hilarious. Seriously....Jelloems? My God. Inspired.

If Bukowski had genius, it was in his fearlessness, a fearlessness that was rooted in defeat and completely without bravado. His finest moments are exercises in emasculated machismo: waking up and vomiting stomach acid into the bathroom sink or pulling out and telling her you can't cum because you're just too fucking blitzed, hon. Bukowski's charm is this gallows humor, the matter-of-factness with which he celebrates a homely woman's fat ass or talks back to his boss as he's getting chewed out about his far too frequent trips to the water fountain. Bukowski was prone to rambling and incoherence, but that's why we remember him. We like that he was a self-professed dirty old man who drank beer by the case and spent his nights in front of a ramshackle typewriter in an even more ramshackle welfare hotel. His adult existence was rejection letters and soulless shifts at menial jobs. But that's what gives us hope. Maybe someday our own brooding and half-ass will could amount to something so great as literary fame and fortune.

But then there's the mean-spirited sorrow of Charles Bukowski, a bleary-eyed insensitivity and inadvertent nastiness that make me want to take back everything I just wrote. There's the way he calls his girlfriend a bitch and a fucking whore while they're in front of the cameras. Or the way he opens his mouth and makes me nervous that his staggering intensity is about to trap me in a conversation peppered with bloodshot glares and sweaty finger pointing. Born Into This shows us Bukowski slur his way through horrible poetry readings while co-eds and burnouts cheer him on and he sucks down Screwdrivers. These scenes are book-ended with footage of agents and sunglasses-clad celebrities who speak with a glowing fondness for Bukowski's legacy as a drunken Bard of the Los Angeles streets. The whole time I can't help but think of the sadness and pain he'd gone through. I can hardly get over how offensive it is that anyone could mythologize or encourage such hurtful and melancholy behavior. It's almost unbearable.

But even after all of that I still feel a romance for the lonely alcoholic, awake and creative at one in the morning. Which is why tomorrow I'm still going to buy Factotum even though I didn't like Ham on Rye, and I thought Post Office was just okay.

Here's my favorite passage from Charles Bukowski. From the final two paragraphs of chapter thirty-eight of Women, published in 1978:

That night she drank half a bottle of red wine, good red wine, and she was sad and quiet. I knew she was connecting me with the racetrack people and the boxing crowd, and it was true, I was with them, I was one of them. Katherine knew that there was something about me that was not wholesome in the sense of wholesome is as wholesome does. I was drawn to all the wrong things: I liked to drink, I was lazy, I didn't have a god, politics, ideas, ideals. I was settled into nothingness; a kind of non-being, and I accepted it. It didn't make for an interesting person. I didn't want to be interesting, it was too hard. What I really wanted was only a soft, hazy space to live in, and to be left alone. On the other hand, when I got drunk I screamed, went crazy, got all out of hand. One kind of behavior didn't fit the other. I didn't care.

The fucking was very good that night, but it was the night I lost her. There was nothing I could do about it. I rolled off and wiped myself on the sheet as she went to the bathroom. Overhead a police helicopter circled over Hollywood.

It's Always Sunny in Philadelphia

noreply@blogger.com (devon) — Fri, 26 Aug 2011 03:47:00 +0000

I pretty much take Matthew Timmons' advice on everything, probably because we had the same PE class in seventh grade and he had a Metallica t-shirt. In recent years, Matt's been all, "You should move up to Seattle," and "You should buy that guitar," and "Dude, that TV! It's just like mine!" He's also been, like, "You totally need to call that girl," and "Eh, probably shouldn't call her again," and "It's Always Sunny is incredible, Booth. What am I, an asshole?"

So far it's all worked out pretty goddamn well.

Bad Biology

noreply@blogger.com (devon) — Fri, 19 Aug 2011 16:50:00 +0000

I like RA the Rugged Man because he's a tough white dude who raps about offensive things and I listen to a lot of Necro. But I also like boxing because of a Larry Sanders extra and I decided to go to Prague after I saw some Polish animation, so my logic isn't always the most sound.

Jonathan Richman -- Take Me to the Plaza

noreply@blogger.com (devon) — Thu, 18 Aug 2011 22:37:00 +0000

I'm kinda tired of the story where I went to see ArnoCorps and got blackout drunk on a few PBRs and one whisky sour and I vomited all over a girl I liked in the back seat of her car. But the story I'm not yet tired of is the one where I got home the next day reeking of of hangover and remorse and I put on Take Me to the Plaza just so I could watch Jonathan Richman sing about how beautiful it was to live in a world where the sad sun stared at you through the trees and men sat in the cafe crying in vain and your heart hurt so bad you can't eat, you can't sleep, you just wandered around. After that, I knew everything was going to be okay.

The Door in the Floor

noreply@blogger.com (devon) — Mon, 15 Aug 2011 16:57:00 +0000

I'm halfway certain that my ninth grade English teacher wanted me to read A Prayer for Owen Meany because of how pleased he was that he looked like John Irving's dust jacket photo. I knew this at the time, but that didn't stop younger me from really really digging this book, so much so that during the year I read as many Irving pieces as I could.

But then, once I got out of high school I found myself at the community college, and I all but stopped reading entirely. Sometimes I would sit there in pretend-class and start feeling bad about myself and think, "Man, didn't I used to read all sorts of real books all the time? Didn't I do more than scroll through the GWAR FUQ while eating Taco Bell and drinking Dr. Pepper?"

Finally, one afternoon I decided I had to do something about this, and I drove down to the used book store and bought the first copy of Son of the Circus I saw. With all sorts of good intentions I got home and plowed through the opening thirty-five pages, but before I knew what had happened, I found myself bored, I'd slid a bookmark between the pages, and I'd slipped this New York Times bestseller right back onto the shelf, right back into the spot that'd been recently vacated by the X-Cops CD I'd picked up a few weeks before and which had almost as recently taken up permanent residence in the bedroom stereo. As I pushed play, I silently pledged to myself that I'd give John Irving a shot in just a few days, once I got over the momentary thrill of loud, offensive music and was back in the right frame of mind. Yep. In just a few days.

I still haven't made it to page 36.

Such Hawks Such Hounds

noreply@blogger.com (devon) — Sat, 23 Jul 2011 20:03:00 +0000

This movie was alright. I like it when gnarly old goat dudes talk about gnarly old goat tunes.

Who Is Harry Nilsson (And Why Is Everybody Talkin' About Him)?

noreply@blogger.com (devon) — Sun, 03 Jul 2011 20:39:00 +0000

Seriously? It took me this long to find out Cheeseburger's Gang's All Here cover art is just a take-off of Nilsson Schmilsson?

Graveyard of Honor

noreply@blogger.com (devon) — Sun, 03 Jul 2011 05:43:00 +0000

I don't have a lot of goals in life, but the few I have usually come from musings like, "I wonder how many Greg Ginn solo albums I could sit through" or "You think I could see every Takashi Miike film by the end of the year?"

Exit Through the Gift Shop

noreply@blogger.com (devon) — Sat, 02 Jul 2011 01:27:00 +0000

Kinda made me wish I did something neat and creative, but then I realized that when it comes to "street art" I tend to side with law enforcement.

Black Sun -- The Nanking Massacre

noreply@blogger.com (devon) — Fri, 01 Jul 2011 01:41:00 +0000

I'm just gonna believe everything in this movie actually happened if for no other reason than Iris Chang eventually killed herself.

No Direction Home

noreply@blogger.com (devon) — Sat, 25 Jun 2011 21:14:00 +0000

I defy you to look at this album cover and tell me it doesn't represent everything you want from life.

The Boys -- The Sherman Brothers' Story

noreply@blogger.com (devon) — Sat, 04 Jun 2011 20:10:00 +0000

Normally a movie about the guys who wrote the songs for Mary Poppins and Bedknobs and Broomsticks wouldn't pique my interest, but after I heard David Feldman gush about this on his podcast, and after I found out that the director is married to a certain comedienne named Wendy Liebman who just so happens to follow me on Twitter...well, I was SOLD.

Great movie. Great story. Great movie. Good story.

Thirst

noreply@blogger.com (devon) — Wed, 01 Jun 2011 14:46:00 +0000

I just met this girl who taught English in Korea. Thought I'd give Thirst a whirl.

No Way Home

noreply@blogger.com (devon) — Sun, 29 May 2011 19:56:00 +0000

How come it took me this long to realize that Tim Roth was such a terrific actor? Is it because I never saw Rob Roy?

My Life as a Dog

noreply@blogger.com (devon) — Sun, 29 May 2011 08:28:00 +0000

Most of childhood is stupid and embarrassing, but eventually you realize that it's all pretty funny.

American Grindhouse

noreply@blogger.com (devon) — Mon, 23 May 2011 00:59:00 +0000

I wanted more Joel M. Reed and less Kroger Babb.

Solitary Man

noreply@blogger.com (devon) — Mon, 16 May 2011 14:57:00 +0000

Someone should hurry up and start http://fuckyeahmichaeldouglas.tumblr.com

Reality 86'd

noreply@blogger.com (devon) — Mon, 16 May 2011 02:09:00 +0000

During the summer of 2001, back when I was but a college livin' man at the University of California, Berkeley, I listened to Rollins Band's "Joy Riding With Frank" every single goddamn day. Each and every day from May to September whether I was sitting on BART, cruising to Safeway in my 1986 Mazda, or shutting my eyes trying to fall asleep at two in the morning after I'd finished watching The Late Late Show with Craig Kilborn, I had nothing but thirty-two minutes of hollerin', guitar bloops, and slappy bass fills rattling through my head. My roommate totally (deservedly) made fun of me for it, probably because he knew that it wouldn't be long before I'd come home late one night so jonesing to hear this song I would wind up snapping my headphones in half as I stumbled toward my bed.

This bed, I should point out, wasn't really even a bed at all. It was a twenty-five year old sleeping bag on top of a mattress pad on top of my olive green shag-carpeted bedroom, a bedroom which, I should also point out, wasn't really even a bedroom at all. It was our living room that'd been partitioned into a pretend bedroom by a plywood sheet that was screwed into the ceiling and decorated with charcoal-drawn orchids.

That was pretty much how I lived all through college. I slept on the floor and listened to shitty rock music from 1987.

Life Is Hot in Cracktown

noreply@blogger.com (devon) — Fri, 13 May 2011 20:56:00 +0000

Buddy Giovinazzo has no choice in life but to make movies about dopesick panhandlers who mentor child prostitutes, pre-op trannies who are flat-out gorgeous, and teenage gang-bangers whose hearts ache for their departed sisters with such intensity they pee on rape victims and beat old men half to death just to get through the day.

Sherrybaby

noreply@blogger.com (devon) — Fri, 13 May 2011 20:54:00 +0000

I knew Maggie Gyllenhall was a great actress when I saw that part in Secretary where she dabbed water off her blouse and you could see the shape of her boob.

Vengeance

noreply@blogger.com (devon) — Sat, 07 May 2011 00:19:00 +0000

I don't read reviews anymore so I have no idea how highly folks regard this thing, but I'm confident that if Vengeance had come out in 1973 Tarantino, Eli Roth, and Patton Oswalt would fucking love it.

Doug Stanhope -- No Refunds

noreply@blogger.com (devon) — Fri, 06 May 2011 22:06:00 +0000

Like everyone else I've always enjoyed comedians. I remember lying in bed watching Comic Strip Live on Saturday nights, downloading the audio for Chappelle's Killin' Them Softly off Napster (I didn't actually see the video for another three years), and talking close personal friend Chris Daly into driving me around for an extra forty minutes just so we could listen to the rest of Skanks for the Memories in his car. But over the past two years I've decided that I don't just like stand-up comedy, I love it. It all started in February of 2009 when Matt Timmons told me I should listen to Adam Carolla's new podcast. I'd been listening to Fresh Air and The Sound of Young America for a few years by then, but hearing Carolla's show changed everything. I remember sitting at work hearing Carolla and David Alan Grier bullshit for an hour, Grier telling stories about his parents' divorce and how his psychiatrist father wrote Black Rage, and all of the sudden I realized how much was missing from my life. From then on, all I wanted was to have clever conversations with smart people, reference Billy Jack with 40 year-olds, and have a dad who penned a treatise on Black Power.

I spent the rest of that year listening to every episode Carolla put online. And then when I got tired of that I switched to Marc Maron's WTF and Greg Fitzsimmons. I spent the entire summer listening to Bill Burr's Monday Morning Podcast, and anytime I had two and a half hours to spare and a hankering to hear about DMT and pornography I didn't hesitate to download the latest episode of The Joe Rogan Experience. Comedy has really spoken to me, and it was all because of the podcast medium. Thinking about it made me realize that what I like about stand-up had nothing to do with wanting to laugh and everything to do with the comedians themselves. I liked their miserable and bitter lives, so full of loneliness and 12-Step Meetings. I liked their failings with women and their arguments with...everyone. It all made sense to me, and I could relate to nearly all of it.

So for the past two years this enthusiasm has turned me into a bit of a lunatic myself, drunkenly haranguing friends and family with tales of my own self-loathing and non-romantic non-entanglements, every minute of every one of these debacles I fantasize as training sessions for my own Evening at the Improv. I know it's after last call and we're standing on the corner outside your building, but in my head I look like Rick Shapiro and sound like Bill Burr.